Spanish School of the XVIII, religious scene oil on canvas

Jakob Ferdinand VOET 1639-1689 attribué à, Amadeus II de Savoie et une favorite, paire d'huiles sur toile vue ovale dans des cadres en bois doré sculptés d'époque (dim:79x97cm)

Carl Van LOO 1705-1765 after, architecture and sculpture, pair of oils on canvas late XVIII in molded and lacquered frames (XX) 145x100cm

French school of the XVIII, mother and her two children oil on canvas (relining) gilt wood frame XVIII (70x87cm)

Jean Claude NAIGEON 1753-1832, chocolate on the terrace or La Collation, oil on canvas signed Naigeon de Rome and dated 1798 lower right, Louis XV style frame in wood and stucco
This family scene is imbued with intimacy,
attitudes are simple and unaffected.
This painting was in a private collection, it was presented in 1944 at the Charpentier gallery rue du Faubourg Saint Honoré in Paris during the exhibition "Family life" This painting says The Collation is supposed to represent Naigeon and his family. This painting is signed “Naigeon de Rome” in order to distinguish itself from its namesake, Jean Naigeon, who had failed the Prix de Rome competition and could not claim this title.
This painting was made on his return to Burgundy where he settled permanently, after Rome and Paris.

French School of the XVIIth century, presumed portrait of Françoise d'Aubigny called Madame de Maintenon 1635-1719, oil on canvas with oval view, berin baguette applied period. (Relining and frame changed)

Spanish School of the XVIIIth century "two views of palaces, lively architecture and perspectives" pair of oils on canvas, stucco baguette 166x112cm

French School of the 18th century, follower of JB Oudry "Still life with game and medallion", Oil on canvas, molded wooden baguette frame 232x157

Henri Nicolas Van Gorp 1756-1819 attributed to, "portrait of a couple in a cabinet" oil on canvas, gilded and carved wooden frame (104x85)

French school end of the 17th century, still life with guitar, pendulum and parrot, oil on canvas (relining)

Robert Edge PINE 1730-1788 attributed to, portrait of a man seated three quarters in a brown suit open book oil on canvas (relining), large carved and gilded wooden frame from the XVIII period dim: 134x162cm, former Paul Louis Weiller collection

Antonio JOLI DE DIPI (1700-1777) around, views of piazza del Popolo and piazza Colonna in Rome in the 18th century, pair of original oil on canvas paintings annotated on the back and signed lower left, gilt wood frames and carved period XVIII. (frame dim: 115x90cm)