Pierre OUTIN 1840-1899 "portrait of the dog Starck" oil on canvas signed lower right.

Italian school of the eighteenth baroque angel playing violin, wood lacquered and gilded

Italian school late nineteenth "Allegory of painting" canvas imitating the mosaic in a black lacquered frame decorated with rosettes (107cm x 189cm)

Sculpture "Saint Louis" carved and waxed oak "XIXth century

Gilded wooden throne armchair sculpted in Cathedral style, medallion portrait of a pewter queen, stamp of the Eugene Dienst and son's house in Paris 86 rue du Fbg St Antoine (Universal Exhibition of 1871)

Mahogany veneer, mahogany veneer, mahogany neck, rosewood fretboard, a drawer with a belt at the top, curtains showing 3 cartons, a pull-out and two leaves hiding 6 boxes, can be foreign work of Transition era.

Lantern in gilt bronze in Rocaille style Louis XV, ancient curved glasses, 3 arms of lights late nineteenth century

Pair of furniture with support height, wood veneer, inlaid lacquer, bronze and enamel opening by a door and a belt drawer, Sweden late nineteenth early twentieth century

Chandelier cage gilt bronze carved Louis XV style rocaille, decorated with tassels and trellis of pearls, 10 arms of lights N.III

Anatole DEVOSGE Dijon 1770-1850 "Alcibiades taking his wife Hipparete before the archon" oil on canvas in his original frame, picture of the Salon of 1801.
Son of Claude-François III Devosge, he was the pupil of his father and then of David. His first works "Sappho inspired by love" 1795 and "innocence in danger" engraved by Copia in 1798 reveal the influence Of Prud'hon. Then he undergoes the ascendancy of David and conforms to the theories of his master. At the end of his life he seems to have been sensitive to romantic fashion.
He succeeded his father in 1811 as director of the School of Fine Arts of Dijon where he taught drawing, this museum exhibits some neo-classical sketches painted by him.
Our monumental work with the theatrical figures: Alcibiades and Hipparetus oil on canvas appeared in the salon of 1801 according to the preparatory drawing wash of bistre on cream white paper signed and dated A.DEVOSGE 1800 and preserved in the museum of Dijon
The theme:
David imposed upon his pupils the reading of Plutarch to inspire male virtues, and induce them to choose from the lives of illustrious men scenes worthy of great painting.
Here is the anecdote narrated by Plutarch:
Hipparteus, a woman of great virtue, who loved her husband, grieved over his wrongs against her, and his trade with foreign and Athenian courtesans. "She went out of her house and fled to her brother's house, The divorce was to be handed over to the archon, not by other hands, but by the woman in person: Hipparteus went to the magistrate to obey the law Alcibiades rushes in: he seizes her by the middle of her body, and takes her to his house through the public square, without anybody daring to hinder her or take her away from her, and she remained in her husband's house until her death "
Anatole Devosge transcribed this text with scrupulous fidelity, on this work to the left the archon sitting on a platform, expects to receive the act of divorce. In the center, Alcibiades seized his wife and is about to win. Around them, the crowd marks his surprise as a man with a long beard (Socrates also lover of the beautiful Alcibiades) encourages a young couple, in the background the Acropolis.

Pair of girandoles with 4 arms of light in red bronze and glass balls in pampilles style Louis XV period N.III

Bergere in confessional in molded walnut, provincial work of Louis XV period