French School of the XVIII suite of 4 paintings, animated landscapes oil on canvas (relining) 2 canvases 62cm wide and 2 canvases 87cm, berain style baguette frame ht: 169cm

Germany, Hanau late 19th century King Clovis 1st silver and ivory by Neresheimer and Sohns goldsmiths

Lothar Von Seebach 1853-1930 "Young page holding an ewer" oil on canvas signed and dated 1879, large gilded stucco frame 98x121cm
Lothar von Seebach dominated the Alsatian art scene for nearly forty years. Dating from 1879 the artist was then 26 years old, this painting was published in the journal d'Alsace of May-June 1879 "Truth, natural, extreme awareness in the execution of details, good color without overload and without drought, such are the qualities of this beginner who promises a master. His page is full of naive and poetic grace, and we rightly admire the ewer and the tray carried by the child that the painter has so to speak chiseled on the canvas, the tapestry on which the subject stands out is reproduced with patience, one could say with veneration. The head of the page is vague, a little vaporous, observe some visitors who have not seen M. de Seebach's model , a fair-haired girl who frolic every day near the young artist's studio.The child has this physiognomy and she was transported alive on the painting.

Exceptional suite of 4 armchairs, Sicily circa 1820, mahogany and mahogany veneer, fleur de Lys iron mark in a coat of arms: Lys de Florence.

Sir Nathaniel DANCE 1735-1811 "Pair of portraits of Colonel W.B Davis and his wife" pair of oils on canvas, period molded gilded wood frame (146x120cm)

Paris Empire period pair of porcelain vases, antique decorations on mauve background (restorations at the base)

Michel Hubert Descours 1707-1775, portrait of a man in Lord de Coucon armor, oil on canvas noted on the back 1763, molded wood frame (129x152)

Violin cartel and its wall console in cream Martin varnish with flower throw decoration. Rich ornamentation of bronze and gilded embossed brass. Enamel dial with Roman and Arabic numerals.
Work of Neufchâtel, mid-18th century. Repeating movement three bells, wire suspensions. Zipper ringing on demand.

French School of the XVIII "Equestrian portrait of Charles Jean de Rarecourt of the Marquis de Pimodan Valley with the order of Saint Louis" original oil on canvas in a gilded and carved wooden frame at the beginning of the XVIIIth century (78x98cm)

Italian school at the end of the 19th century, a Garofoli signature, view of Venice, the Salute, oil on canvas signed lower left large gilt stucco frame 109x84

Barometer in gilded and carved wood from the Louis XVI period according to Toricelli, Maison Flouet in Paris.

Pair of large Louis XV style armchairs in carved natural wood circa 1880